If you have time, this essay (How to Say Nothing in 500 Words) is packed with invaluable advice that will help you make your college essay sing–and NOT bore those college admissions folks. An English professor wrote it in the 1960s after reading probably a zillion mind-numbingly dull essays during his long career. It’s long–and ironically a little yawny in places (revenge?)–and I mainly skimmed it for the juicy stuff.
Here’s one of my favorite parts, from the section called, “Slip Out of That Abstraction,” that describes why you should “show” instead of “tell” your points, and how to do it:
Look at the work of any professional writer and notice how constantly he is moving from the generality, the abstract statement, to the concrete example, the facts and figures, the illustrations. If he is writing on juvenile delinquency, he does not just tell you that juveniles are (it seems to him) delinquent and that (in his opinion) something should be done about it. He shows you juveniles being delinquent, tearing up movie theatres in Buffalo, stabbing high school principals in Dallas, smoking marijuana in Palo Alto. And more than likely he is moving toward some specific remedy, not just a general wringing of the hands.
It is no doubt possible to be too concrete, too illustrative or anecdotal, but few inexperienced writers err this way. For most the soundest advice is to be seeking always for the picture, to be always turning general remarks into seeable examples. Don’t say, “Sororities teach girls the social graces.” Say, “Sorority life teaches a girl how to carry on a conversation while pouring tea, without sloshing the tea into the saucer.” Don’t say, “I like certain kinds of popular music very much.” Say, “Whenever I hear Gerber Sprinklittle play ‘Mississippi Man’ on the trombone, my socks creep up my ankles.” By Paul McHenry Roberts.
(I also highlighted the strong verbs Roberts used here. In your essays, go easy on the adjectives and adverbs–the ly’s–and push hard on those gritty, action verbs!)
Killer Essays 